Split image: a group of baroque musicians stand in a whitewashed brick hallway, a black man posing in a stylish suit.

Ruckus 
Davóne Tines, bass-baritone 
What is Your Hand in This? 

Sanders Theatre

Ruckus
   Doug Balliett electric bass, arrangements, compositions
   Elliot Figg harpsichord, piano, electric keyboard
   Keir GoGwilt violin
   Manami Mizumoto viola
   Paul Holmes Morton baroque guitar
   Shelby Yamin violin  
   Clay Zeller-Townson baroque bassoon, taille, percussion, research
Davóne Tines bass-baritone

with the
Harvard-Radcliffe Collegium Musicum
Dr. Hana J. Cai, conductor

Bass-baritone Davóne Tines isn’t just a powerhouse vocalist—he’s a force of nature. Hailed as “a singer of immense power and fervor,” and “[one] of the most powerful voices of our time” (Los Angeles Times), he brings more than just breathtaking sound to the stage. With boundless curiosity and razor-sharp intellect, Tines delves into the stories that connect us, exploring themes of perseverance, identity, and the connections that shape our lives.  

Early music band Ruckus infuses every work with vitality and immediacy, giving their period-instrument performances the spontaneity and verve of a jazz improvisation or pub session.  

Together, this ensemble and singular vocalist form the perfect pairing to reflect on the 250th anniversary of the Declaration of Independence. Giving new life to Colonial- and Revolutionary-era hymns, ballads, and Baroque compositions, Ruckus and Tines embark on a musical journey that weaves through the pre-Civil War period, the Civil Rights era, and into the present day.

 


This event is part of Everyone 250, Boston's living movement that makes history visible and inclusive.  

Detailed program

PART I 
Stephen Foster   Beautiful Dreamer (1864)    
Douglas Balliett (b. 1982)   Overture from Compassion Preludes (2025) 
Balliett   The Four F’s from Compassion Preludes
Traditional / arr. Davóne Tines (b. 1986)   Be the Lover of My Soul  (2025)    
 
PART II 
George Frederic Handel (1685-1759)   Concerto Grosso No. 10 in D minor, Op. 6: mvt 2    
Balliett   Scherzo from Compassion Preludes    
John Dickinson (1732-1808) / arr. Balliett   The Liberty Song (1768/2025)    
Handel   Concerto Grosso No. 10 in D minor, Op. 6: mvt 4    
George W. Clark (dates unknown)   What Mean Ye? (1845)                         
 
PART III 
Sawney Freeman (1769-1828)   A New Death March (1801?)
Simpson     To the White People of America (1854)                 
Freeman   The Rays of Liberty (1801?)  
Balliett   Federal Nations (2025), incorporating the following: 
   Benjamin Carr (1768-1831)   The Federal Overture (1794)                     
   Handel    “Why do the Nations so Furiously Rage” from Messiah (1741)
Allan & Robinson / arr. Tines & Balliett   The House I Live In (1942/2025)                     
 
PART IV 
Julius Eastman (1940-1990)    Buddha (1984)
Clyde Otis (1924-2008) / arr. Tines & Balliett   This Bitter Earth (1960)                         
Tines, arr. Balliett   What is My Hand in This? (2025)
William Billings (1746-1800) / arr. Balliett   Chester (1778)
Sam Cooke (1931-1964)   A Change is Gonna Come (1964)
Balliett   Nunc Dimittis from Compassion Preludes
Traditional / arr. Tines   Be the Lover of My Soul (Reprise)                

 

“Davóne Tines is changing what it means to be a classical singer.”

The New Yorker

“Ruckus is “the world’s only period-instrument rock band."”

San Francisco Classical Voice

Sanders Theatre Information

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